Little Big Town Doesn’t Suck on an Indie


One thing I advocate is the idea of that an artist can make a living without a major label deal. The next best thing would be take the risk on an Indie label, that’s if you can get signed. So Wednesday on WPLN Nashville’s local NPR affiliate a story aired about Little Big Town and their recent success.

Working the Music Industry in Nashville every spring you can see at CRS (Country Radio Seminar) the labels rolling out the newly signed acts. All polished up and shiny, a few years ago it was Little Big Town on SonyBMG. Now I don’t claim to be a A & R rep but I know what I like and can determine bull shit when I see it. What Sony had done to Little Big Town was throw away almost everything that got them signed. I reminds me of the conversation with a drunk A & R rep from a few weeks ago, he said (paraphrasing) “After they (artists) are signed we change them…” Again, I don’t think labels know how to market artists that don’t fit into the pop country model.

So when I heard the WPLN story they explained what I had been thinking. The first time around I thought they were fake, a joke but when Little Big Town returned it was real. I can say they gained me as a fan.

Via WPLN:

Little Big Town: It’s common in the recording industry for artist to graduate from independent labels to major labels before they have a shot at national hits. But country band Little Big Town did it backwards. Their debut release on Sony Nashville failed commercially and critically. But in 2006, the band found success on Equity Records, thanks in part to the belief of an executive who made a similar journey. WPLN’s Craig Havighurst reports.

Aired February 7, 2007 Visit WPLN.org for story audio | View the transcript

I’m making you go to WPLN website because linking right to the audio would be stealing. Support your local NPR station right?

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About mdave

David has been using computers to create his visions since the early days of the Apple II. When the world wide web hit he dove in head first learning HTML and building his first websites. After spending a few years at a software services firm in Milwaukee he moved to Nashville and shortly after the Music Industry grabbed hold. He joined the Country Music Association as webmaster designing, building and managing the CMA Awards, CMA Music Festival and corporate websites for the 8 years. He started their social media reach-out and when he left the CMA could reach over 50,000 fans directly. David currently freelances by day, codes by night along with producing/hosting the Nashville Tech Feed a technology podcast. David was named by Billboard Magazine as one of the top 140 people in the Music Industry to follow on Twitter.